How to Download the Complete Works of Antonin Artaud in PDF Format
Antonin Artaud (1896-1948) was a French poet, playwright, actor, and director who is best known for his influential theories on theatre and his experiments with surrealism and the occult. He is also considered one of the precursors of the Theatre of Cruelty, a radical form of theatre that aimed to shock and disturb the audience by exposing them to primal emotions and sensations.
Artaud's complete works, which include his writings on theatre, literature, art, cinema, philosophy, and spirituality, as well as his poems, letters, and drawings, have been published by Gallimard in a series of volumes since 1970. However, these volumes are not easily accessible to many readers, especially those who do not speak French or live outside of France.
Fortunately, there are some online sources that offer free downloads of Artaud's works in PDF format. Here are some of them:
The Internet Archive has digitized several volumes of Artaud's Åuvres complÃtes[^1^] [^2^] [^3^], which can be downloaded or read online. However, some volumes are missing or incomplete, and the quality of the scans may vary.
The Antonin Artaud Project is a website dedicated to Artaud's life and work, which offers a comprehensive bibliography of his publications and translations. It also provides links to some PDF files of his works, such as The Theatre and Its Double, The Cenci, Heliogabalus, and The Tarahumaras. However, some links may be broken or outdated.
The Antonin Artaud Collection is a digital library that contains a large number of Artaud's texts in various languages, including English, Spanish, German, Italian, Portuguese, and Russian. It also has some audio and video recordings of Artaud's performances and interviews. However, the website is not very user-friendly and may require registration or payment to access some files.
These are some of the ways to download the complete works of Antonin Artaud in PDF format. However, readers should be aware that these sources may not be authorized by the original publishers or the author's estate, and may not respect the original formatting or editing of the texts. Therefore, they should be used with caution and respect for the author's rights.
Artaud's life was marked by mental illness, addiction, and institutionalization. He suffered from severe headaches, hallucinations, depression, and suicidal tendencies. He became addicted to opium and laudanum, which he used to cope with his pain and anxiety. He also experimented with peyote, a hallucinogenic cactus, during his travels to Mexico in 1936. He was fascinated by the rituals and beliefs of the Tarahumara Indians, who used peyote as a sacrament. He wrote about his experiences in Les Tarahumaras (1947; The Tarahumaras).
In 1937, Artaud went to Ireland to return a walking stick he believed belonged to St. Patrick. He was arrested for vagrancy and deported back to France, where he was diagnosed with schizophrenia and committed to a psychiatric hospital. He spent most of the next nine years in various asylums, where he underwent electroshock therapy and other harsh treatments. He continued to write during this period, producing some of his most powerful and visionary texts, such as Van Gogh le suicidÃ de la sociÃtÃ (1947; Van Gogh: The Man Suicided by Society) and Pour en finir avec le jugement de dieu (1948; To Have Done with the Judgment of God).
Artaud was released from the hospital in 1946, thanks to the intervention of his friends and admirers, such as Jean-Louis Barrault, AndrÃ Gide, Paul Ãluard, and Arthur Adamov. He resumed his artistic activities, giving lectures, reciting poems, and staging radio plays. He also drew portraits of himself and his friends with crayons and ink. He died of intestinal cancer in 1948, at the age of fifty-one. His funeral was attended by many prominent figures of the French cultural scene, such as Jean Cocteau, Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and Pablo Picasso. ec8f644aee